Noel Y. Calingasan

Last Saturday, I went to see Hall des Lumières’ inaugural exhibit, Gustav Klimt: Gold in Motion for the second time. The exhibit is a thematic journey through the golden, sensuous, and revolutionary art of the Viennese painter, created exclusively for Hall des Lumières by an artistic team led by Culturespaces Digital’s Gianfranco Iannuzzi. Klimt’s The Kiss, Portrait of Adele Bloch-Bauer, and Lady with Fan are among the works featured in the digital experience designed to bring guests through Klimt’s prolific career while perfectly complementing the marble walls, towering columns, stained glass skylights and coved ceilings of the permanent art center. The venue sets this exhibit apart from the other similar exhibitions that I have seen previously.
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